Incunabulum, 2025, 3’50”, single channel digital video (Sound by Richard Turner)
Incunabulum emerged from a fictional manifesto (transcribed below) which characterises the digital image as a form of undead life. The film is assembled from generating and obliterating images gathered from multiple sources in a process inspired by the scientific investigations of Mary Shelley’s Victor Frankenstein:
“I saw how the worm inherited the wonders of the eye and the brain”
Screenings:
2025, Microacts, London
2025, EUFF. 02, Edmonton, Canada
INCUNABULUM
All images are dead! We are Necromancers, we tickle the dead! We conjure the spirits to arouse the living.
All images are undead, revenant forms of exanimate matter. The spirits conjure us to arouse the living.
The Necromancers’ studio is the graveyard and the curtained room. We scratch in the mud and send images to the heavens. Cthulhuian and aetherial, we produce monstrous hybrids and wispish phosphenes in the funk of seclusion.
We hold that there are four supreme vectors of the undead image re-embodied in the recursive flow of the inverted ankh ☥ (U+2625 ). These vectors are personified in the romauns of: the vampire, the ghost, the zombie and in death’s drogue, the gravestone.
The gravestone is undeniably the most material of the vectors of unlife. Its role is to trans-port the corpse beyond the lost realms of past and future into the eternal historical present. The gravestone crystallises corpses into data. Solid state bodies, stacks of information. The Necromancer collects, weighs and taxonomises this flesh made too solid. We present it under lit glass shimmering with glyphs.
The anachronistic and bloodily present vampire image begets imitations of itself. Pale variations of former glory flit insubstantially, bite deeply and move on. More master than servant, the vampire image’s power increases during night mode.
The autopoetic zombie image adds to the horde. It follows the calls of homogeneity and multiplicity. Repeating, crowding, welcoming, it’s power lies in the trollish mob. Eating is creation, thought is replaced by function. The Necromancer can do no more than release this automaton and observe.
The ghost image is a lost wanderer. It’s strigilant voice barely reaches the living. It is An itch in the mind’s ear, disconnected, repeating, calling. It is both insistent and impotent. To summon a ghost image is to do nothing.
We, the Necromancers, will birth anti life matrices for each vector of the un-living image. We will craft proto-celestial machines and become their conscious slave organs! Machines of reoccurrence! Revelling in their unending death throes, rattles and spasms! Rocking mad elephants pounding heavy hammers of light!
